We computed mean recommendations for each of one’s 283 stimuli round the new eight evaluative proportions and you may conducted about three ine the new influence regarding facial phrase, the newest sex and battle/ethnicity of one’s model for each adjustable (post-hoc reviews had been held that have Bonferroni correction and only the ultimate thinking will be given). Detailed performance (means and practical deviations) try summarized during the Table 6.
Familiarity.
Familiarity ratings varied according to the type of facial expression, F(1,6) = 7.53, MSE = 1.27, p 2 = .14. Photographs displaying surprise obtained the highest familiarity ratings, all ps ? .008 (but not different from sadness, p = .053, fear, p = .617 and happiness, p = 1.000), and neutral photographs obtained the lowest familiarity ratings, all ps 2 = .01, or race/ethnicity, F(4,278) = 1.57, MSE = 0.28, p = .182, ?p 2 = .02.
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Appeal.
Elegance analysis also varied according to face term, F(step 1,6) = six.69, MSE = step 1.forty-two, p 2 = .thirteen. Photographs showing glee received the greatest attractiveness product reviews, most of the ps ? .019 ( not distinct from worry, neutral and you will wonder, most of the ps = step one.000), and people demonstrating disgust obtained a minimal attractiveness evaluations, all of the ps ? .002 (although not distinct from rage, anxiety, natural and you can sadness, every ps > .099).
61, MSE = 0.65, p = .107, ?p 2 = .01. However, results show the impact of model’s race/ethnicity on attractiveness ratings, F(4,278) = 7.96, MSE = 1.80, p 2 = .10. Specifically, African-American models obtained the highest attractiveness ratings, all ps ? .007 (but not different from Asian and European, both ps = 1.000) and South Asian models obtained the lowest attractiveness ratings, all ps 2 = .75. Specifically, we observed that models displaying anger were perceived as more aroused, all ps ? .001 (but not different from surprise, p = .214), and that those with neutral expressions obtained the lowest arousal ratings, all ps 2 = .87, such that photographs displaying happiness were rated as the most positive, all ps 2 = .00, or the model’s race/ethnicity, F 2 = .49. Specifically, happiness was perceived as the clearest expression, all ps 2 = .19, with photographs displaying happiness perceived as the most genuine, all ps ? .031 (but not different from fear and surprise, both ps = 1.000), and photographs displaying sadness rated as the least genuine, all ps ? .016 (but not different from anger, p = .112).
Genuineness ratings did not vary according to the sex of the model, or its race/ethnicity, both F 2 = .67, with photographs displaying anger perceived as the most intense, all ps 2 = .16 (see Table 6). Post-hoc comparisons with Bonferroni correction, showed that photographs displaying happiness obtained the highest accuracy rates, all ps ? .001 (but not different from anger, p = .080, and surprise, p = .252), and that photographs displaying fear obtained the lowest accuracy rates, all ps ? .040 (but not different from sadness, p = .839, and disgust, p = .869). Accuracy rates did not vary according to the sex, F(1,281) = 1.37, MSE = , p = .243, ?p 2 = .01, or the model’s race/ethnicity, F 2 = .01, such that the accuracy rates observed with the Portuguese sample (M = 74.3%, SE = .94) were lower than the ones reported in the original validation sample (M = 77.8%, SE = .94). We also observed a main effect of emotion, F(6,552) = , MSE = , p 2 = .20, such that photographs displaying happiness obtained the highest accuracy rates, all ps 2 = .04 (see Fig 1).
